Veranstaltungen
Veranstaltungsreihe: Collegium Musicologicum
Ringvorlesung
Turkish Disco
Termine
Do., 02.12.2021 18:00 UhrStandort
Am Kupfergraben 5.Institutsgebäude Eintritt
frei Yaprak Melike Uyar (Humboldt-Universität zu Berlin)
Turkish Disco: Integration of Dance Forms in Anatolian Traditional Music into Disco as a Glocalization Practice
Disco, as a musical genre and a dance culture questioning the conventional boundaries of race and gender, embracing the concepts of liberation, and creating its own unique approach to fashion and style, came about in New York City’s minority communities in the late 60s and early 70s, and turned into a global dance culture and a mainstream success. In each destination it visited, it found many layers of meaning and performance applications. In Turkey as well, localization of disco was subject to many cultural and musical connotations; so that questioning the concept of disco implicates the key turning points in the history of Turkish popular music.
This lecture intends to examine the localization of disco music in Turkey in the 1970s through the utilization of Oyun Havası, a common dance form in Anatolian traditional music; and the reinvention of the Turkish disco term in the global music market in the 2010s. Using the theory of glocalization, the genre will be discussed with a comparative analysis of the local and global usages of the term. Glocalization denotes the notion of an interplay between globalization and localization that has different cultural outcomes in different regions of the world. What is labeled as disco music in Turkey and what is referred to as 'Turkish disco' in the global music industry are in fact two distinct music cultures. The reinterpretation of the forms such as Oyun Havası and potpori within the subheading of disco will be analyzed to understand the cultural aesthetics of taste and the political background of musical fusion in Turkey.
Yaprak Melike Uyar is an Einstein Junior Scholar at the Department of Musicology and Media Studies at the Humboldt University Berlin. Her main research interests are jazz and popular music of Turkey, and the music of the Mevlevi Order of Sufism. With her dissertation, Jazz in Turkey: The Cultural Connotations and the Processes of Localization, she earned her PhD degree in musicology from the Turkish Music State Conservatory of Istanbul Technical University. She completed her MA degree in ethnomusicology at ITU MIAM, with the thesis The Commodification of Whirling Dervish Rituals. She taught courses on popular music, jazz appreciation, and the history of Turkish popular music at the Turkish Music State Conservatory and Bilgi University. Yaprak Melike is also a DJ, performing at various venues in Istanbul with an eclectic genre selection ranging from afro-beat to disco, psychedelia to jazz. She has hosted radio programs at Turkish National Radio, Açık Radio, and Radio Adidas Originals.
Dieser Vortrag findet als Zoom-Session über Moodle statt. Sollten Sie Interesse an den Vorträgen haben, möchten wir Sie bitten, sich in die Moodle-Veranstaltung "Collegium Musicologicum" einzuschreiben. Dort erhalten Sie dann den entsprechenden Link sowie das Passwort für die jeweilige Veranstaltung.
Weitere Informationen
Referenten: Yaprak Melike Uyar
Kontakt
Anina Paetzold
Telefon: 030 2093-65829
a.paetzold@hu-berlin.de
Adresse
Am Kupfergraben 5.Institutsgebäude
Raum: Online
Weitere Termine der Reihe
- 16.12.2021: Emotion perception in music: cross-cultural similarities and differences
- 06.01.2022: From the bottoms up
- 10.02.2022: Sketch studies: a true challenge for music theory?
- 17.02.2022: "Un'opera quasi pornografica"
- 12.05.2022: Musical Performances in Antiquity: Themes, Approaches, and Perspectives
- 02.06.2022: Mapping Emotions in Eighteenth-Century Italian Opera
- 23.06.2022: Scales, Skulls and Sanskrit: Fétis and the origins of Tonality
- 30.06.2022: Musik, Körper und Bewegung – Konturen eines klanglich bewegten „Body Turn"
- 19.01.2023: Why We Need Idealism in Music Aesthetics: A Reassessment
- 19.01.2023: Why We Need Idealism in Music Aesthetics: A Reassessment
- 20.04.2023: „Die Anfänge der Romantik in der Musik“
- 11.05.2023: Alban Bergs Weg in die Atonalität um 1910
- 25.05.2023: The dynamics of pluralism in contemporary digital art music
- 15.06.2023: Wann ist Musik Kulturerbe? Herausforderungen und Chancen der UNESCO Konventionen
- 06.07.2023: Vopli Vidopliassova’s Tantsi and the Culture of Nonconformists in Late Soviet Ky
- 13.07.2023: Carlos Kleiber und Probleme der Interpretationsforschung
- 09.11.2023: "The Creative Practice of Film Scoring"
- 23.11.2023: „Kompositionsunterricht im frühen 19. Jahrhundert: Richard Wagner als Schüler vo
- 14.12.2023: „Berlin Alexanderplatz or Das Berliner Requiem? City, (Counter-)Revolution, and
- 21.12.2023: „How the brain plays music: From musical ideas to joint performance"
- 01.02.2024: "Insurgent Fandom: Atmospherics of the Anti-Social at FC Union Berlin"
- 08.02.2024: „Lifestyle and Repertoire. Female Voices in Early Indian Record Industry"
- 25.04.2024: Entangled. Being-with-music
- 11.07.2024: „Sprechen über Musik: Werkbetrachtungen in den Hörfunkwellen der ARD“